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NEWSLETTER :: SUMMER 2010
| SUMMER HEAT HAS ARRIVED |
At the time of writing, Summer has pretty much arrived. And the fiber arts community’s year is nearly half
over with a continuation of new shows and festivals announced to help keep us excited about the summer
months ahead. Here’s a summary:
Fibrations
Fibrations will exhibit the work of MoFA
members at Waverly House Gallery in Springfield,
MO during the month of October, 2010. Peggy
Wyman is the Juror for this event.
Waverly House is the only American Style
Preferred Gallery in SW Missouri and a Niche
2009 Top Retailer Nominee as well as an active
long-term supporter of art and artists, locally and
statewide.
MoFA members are invited to submit artwork that
celebrates fiber art in all its various forms. Use
loose packing peanuts.
Although work is not insured by Waverly House,
all care is taken to protect the work while on the
premises. As such, artists are advised to carry
their own insurance.
Show officials are looking for images in jpg
format on a CD. All images must accurately
represent the work and two images are allowed per
piece (either 2 views or 1 full + 1 detail).
Submission deadline is July 23, 2010.
Arts by the River
Nancy Clark won the Best of Show
award at the Arts by the River art show
in Cape Girardeau in March. The show
was sponsored by the Southeast
Missouri Arts Council and was held on
the River Campus at Southeast
Missouri State University. The award
came with a handsome $500 check.
|
| PRESIDENT'S MESSAGE |
The 2010 Conference was so much
fun. I want to thank all the members
who worked so hard to make this
conference a success. Kay Khan,
our juror for the TwentyTen exhibit
and keynote speaker, was fantastic
and provided our membership
opportunities to view her work and
get to know this fantastic artist. The
opening of the TwentyTen Exhibit at
the foundry Gallery was wonderful.
Thank you to the Foundry and their
director who made this a very
special evening. We had lots of
bidding during the NEST silent
auction and raised $810 for that
organization. Thank you to all
members who participated in this
fundraiser by donating work or
biding on the outstanding pieces
represented.
I want to take this opportunity to also
thank Jo Stealey and the students
from the MU Fiber Group for their
participation in the 2010
Conference. The students not only
shared their work with us but also
their energy and love of fibers. From
attending workshops, to creating
fantastic centerpieces for the
brunch, and serving as models for
the MoFA fashion show, the students
gave us an opportunity to look into
the future and next generation of
fiber artists.
As we begin a new year in MoFA I
look forward to working with all of
you to provide continued growth of our great organization. The
wonderful opportunities provided for
MoFA members during the past two
years along with the hard work of
the board headed by Judy Cobillas
has energized our organization and
serves as a springboard for
continued growth. As we strive to
serve the members of MoFA, the
incoming board will need your
support and guidance. With your
help our organization will continue to
generate opportunities for Fiber Arts
and Artists in Missouri and across
the country.
In October MoFA will sponsor
Fibrations, an exhibition of work by
MoFA members. It will be held at the
Waverly House Gallery in
Springfield, MO. I want
to thank Peggy Wyman for
organizing this exhibition opportunity
for our members.
This is an exciting time for MoFA. I
look forward to the next two years of
working with this fantastic group of
Fiber Artists. Together we will
showcase Fiber Arts in our region
while providing MoFA members with
opportunities for growth and
renewal. Thank you all for your
continued support.
Bonnie Black
2010-12 MoFA President |
| MoFA CONFERENCE REPORT |
 |
Fiber: TwentyTen - 2010
Conference
April 16, 17, 18, 2010
Country Inn and Suites, St.
Charles, MO |
The 2010 Conference was held
April 16-18 in St Charles, MO.
There were 44 in attendance and
we had 50 attend the Brunch on
Sunday. If you weren’t able to
attend the 2010 MoFA
conference you missed a
fantastic weekend. Several of the
Stores on Main Street, St.
Charles conducted a variety of
workshops for our members.
From Fused Glass on Friday to
Bookmaking and Felting on
Saturday these workshops
provided a wide variety of
activities and experiences.
The opening reception at the
Foundry was well attended and
the exhibit was amazing.
Congratulations to all MoFA
members represented in the
TwentyTen exhibit. The final silent
auction for NEST was held during
the opening reception and we
raised $810 for the NEST
organization. Thank you to all
who donated a nest for this
worthy cause.
Saturday evening MoFA held a
membership meeting and elected
officers for the 2010-2012 term.
Your officers are President –
Bonnie Black, Vice President – Carol Zeman, Secretary – Pat
Owoc, and Treasurer – Paula
McFarling. Tracy Deniszczuk and
Katherine Ehlmann provided a
wonderful MoFA reception
following the membership
meeting.
The Sunday Brunch and talk by
Kay Khan was so special. Kay
Khan shared slides of her work
and provided an opportunity for
our membership to get to know
this fantastic artist.
The University of Missouri Fiber
Students designed and made the
centerpieces for the brunch. This
group of outstanding students
shared their work at the student presentation on Saturday and
also served as models for the
MoFA style show at the end of the
brunch. Anne Cove did a fantastic
job of coordinating the Style
Show and Sharon Kilfoyle did a
great job as the juror and MC for
the Style Show. Thank you to all
the MoFA members who helped
to make the 2010 conference a
huge success.
If you were not able to attend
the Fiber: TwentyTen conference you can purchase an
Image CD of the artwork in the
show. Plus, I hope you will plan
to attend the Spring 2011
MoFA Retreat. Look for
information and member
photos later this year on our
web site and on our Facebook
Page. |
JUROR'S STATEMENT
by Kay Khan
I was pleased and honored to be
invited to jury the exhibit Fiber: TwentyTen. Thank you to the
Missouri Fiber Artists for the
invitation, and for all their members' help in bringing the
show to fruition. Thank you to the
Foundry Art Centre for
coordinating the show, and for the
beautiful display of the work in its
magnificent and expansive gallery
space.
I would also like to thank Judy
Cobillas for initiating the
conversation, for being my
contact and host, and for all her
tireless work. I would also like to
congratulate and encourage
every artist who entered the
show. Thank you for having the
courage to open your work to the
public eye. Please, all of you
continue to create. Juried shows,
by their nature, tend to present a
diverse group of work, and this
show which was open nationally
to all fiber artists was certainly no
exception.
There were 327 pieces entered.
Sixty-two were originally
accepted. Looking at so many
entries was a daunting task. To
put this into perspective, even if I
had only taken one minute per
piece, it would have taken five
hours for that first glimpse. And to
jury this show fairly, I perused the
images repeatedly before
beginning to rearrange them in
search of the most compelling.
My task was to review this
outstanding array of work and
determine which pieces I thought
would best represent the fiber art
of today. This process gives
fascinating insight into artists'
interpretations of fiber as art. For
an artist to articulate the language
of fiber into a modern day
expression is a challenge.
As juror, I looked for strong and
interesting concept and
innovation, technical expertise,
good structure and composition,
focus, depth, and complexity. And
I found it. The works in this show
reflect a wide range of
approaches and sensibilities.
Some are traditional while others
push the boundaries of their
medium. Some are quiet and
contemplative while others are
playful and celebratory. Some
work comments self-referentially
on the art of textiles itself.
The work also represents a
variety of technical approaches.
Quilting is the most prevalent (as
it comprised the most numerous
entries) followed by weaving
(both two and three dimensional),
basketry and other related
constructions, paper (both cast
and woven), knitting, shibori,
embroidery, and lace. I hope that
those who view this show will
find, as I did, works that inspire
and delight. |
| Wearable Art Walks the Runway
by Sharon Kilfoyle
The wearable art entries for this
conference were a delight totouch and examine, and I felt
honored to choose the awards or
this year's fashion walk. Entries
included unusual materials such
as bubble wrap and plastic bags,
well-executed nuno felt garments
and accessories, shibori dyed
knits, t-shirts, and silk creations,
woven work, and all created with
skill and care. Though entries
vary in technique from conference
to conference, we can always
count on quality, and often
unusual treatments of materials.
This year was no exception.
Thanks to all who made this a
special occasion and to Anne
Cove and Bonnie Black for all the
arrangements made for the
fashion show.
The awards given in the Fashion
Walk are:
Iwona Rypesc-Kostovic, for Best
Overall Execution of Design and
Craftsmanship
Anne Cove, for Most Creative
Use of Materials and Trends
Laurie Harper, for Best Use of
Color and Line
Katherine Ehlmann, for Most
Marketable Design in Show Jennifer Weigel, for Most
Creatively Eco-Friendly Designer
Bonnie Ahrens, for Consistency of
Craft and Garment Design.
Behind the Scenes
by Anne Cove
Brunch at the Foundry, part of this
year’s MoFA conference in St.
Charles, was enlivened by a
fashion show of members
wearable work. The show ran
very smoothly, thanks to excellent
teamwork.
On the evening before the show,
some of Jo Stealey’s students
from the University of Missouri,
Columbia, were paired with the
garments, and Sharon Kilfoyle
decided on the order in which
they were to be presented. Each
of our models had another of Jo’s
students as a dresser, and
throughout the show, Penny
Trudeau checked that the order of
presentation was correct and
cued the entry of each new model
as the previous model exited the
dining room.
Jennifer Weigel, Iwona Rypesc-Kostovic and Katherine Ehlmann
modeled their own garments and
Carlene Fullerton modeled a
shawl, designed and made by
Sharon Kilfoyle and a cape,
designed and made by Bonnie
Black. Jo Stealy’s students,
Debo, Danielle and Penny
modeled all the other garments.
Everyone did a brilliant job. The
students, who had only had a
short time to try on the garments
on the night before, did a
wonderful job, aided by their
dressers, Nicole and Trish, often
having to keep to a hectic
schedule.
Thank you everyone who helped
to make this event run so
smoothly.
|
| THREADS AND STRANDS |
MoFA Members Make
Capital Arts Fiber
Exhibition a Success!
The current exhibition at Capital
Arts Gallery in Jefferson City is an
overwhelming success thanks to
the participation of twenty MoFA
members. From the raw
wonders of nature to fine needle
work, from art quilts to felted work
to weaving, paper, printed
organza, and so much more,
around every corner in every
nook and cranny, it is filled with
another visual surprise for the
unsuspecting viewer. The fiber
works were a textural
complement to the beautiful
hardwood floors and the handhewn
limestone blocks of this
newly renovated gallery space.
Joyce Neunswander, Executive
Director, and Kay Toft, President
of the Capital Arts Board of
Directors, claimed it to be one of
the best shows since the opening
of the Gallery. Images from the
exhibition can be found on the
MoFA Facebook page and
www.capitalarts.org, courtesy of
Leandra Spangler. Everyone was
very grateful for the vast
contributions by MoFA members.
The reception on Friday evening
was well-attended by artists and
the public! Many, many
compliments on the incredible
diversity of materials and
techniques were overheard and
shared with the artists.
On Saturday, the MoFA Board
met at the Gallery to discuss
upcoming business, including the
possibility of holding the February
retreat workshops in the
classroom spaces of Capital Arts
as well as a MoFA members
show. Bonnie Black will be
talking with Joyce; more
information will come in future
newsletters.
Capital Arts and MoFA share the
common goal of educating the
viewing public on the broad
spectrum of possibilities for Fiber
Art. Participating members are:
Bonnie Ahrens, Bonnie Black,
Katrina Boles, Mariea
Caruthers, Nancy Clark,
Rosemary Claus-Gray, Anne
Cove, Jamie Dack, Tracy
Deniszczuk, Carlene Fullerton,
Ann McGinty, Pat Owoc, Alicia
Pigg, Robin Quint, Trudy
Rogers-Denham, Vicki Smith,
Leandra Spangler, Jennifer Wax,
Jennifer Weigel, Carol Zeman,
and Connie Zullo. Special thanks
to Carlene and Tracy D for helping
to support the coordinated efforts.
Preparing for a Workshop
by Shirley Nachtrieb
When preparing for a workshop, I
consider the list of supplies sent to me and how I might add to that
list for my personal comfort as
well as organization in taking
notes. I evaluate the place and
location and try to anticipate what
I might need that wasn’t on the
list. Much of what I take is logical
to me and I would like to share
those thoughts with my readers.
I try to balance the weight of my
supplies into two spacious Aldi
recycle bags. I reinforce the
bottom of the bags with
corrugated cardboard. It makes
them lightweight and sturdy. I
can extend my table space by
taking 2 or 3 freezer paper
covered 16 x 20 cardboards shiny
side up and secured with
masking tape. They are good for
painting and bookbinding. They
will also fit into the Aldi bags! If
there is paper needed for the
workshop, I store those softly
folded in half in a black portfolio.
I have a clip on electric fan, found
at Wal-mart, extension cord, clip
on light, bottled water, lunch bag,
first aid kit, notebook, pencil and
pen. The most convenient tools I
take are the four 10” or 12” x 1 ¼” white PVC pipes I take to raise
my table cut at Lowe’s. They will
fit on any table whose legs have a
shoulder to catch the pipes. I
also take a rubber mat to stand
on (this goes in the black
portfolio). I found this at an office
supply store. This saves my back
and my legs. I wear comfortable
clothing and an apron.
There might be things that I need
that aren’t on the list. This is
where I will have to think for the
teacher as a teacher. If the list
has paints listed but not paint
buckets, for example, I think what
else will be needed. So, I take
two 1-gallon buckets available at
Lowe’s for a $1.29, paper towels
and a small box of tissues. I take
a plastic grocery bag and tape it
to the end of my table for trash;
this saves me trips across the
room to the community trash can.
That also means that I need
masking tape. If one thinks
ahead and logically looks at the
list of supplies and how it may
need to be supplemented the
experience will be less hectic. If
you think you may have packed
too much, leave part of it in the
car, you can always bring it up to
the room later. At the end of the day, take home what you didn’t
need, but leave it in the car
in case you might. Last, I don’t
plan on cooking when I get home.
I want to take off my shoes and
put my feet up if I am been
standing all day. I either go out for
supper or plan meals ahead that
can be reheated. I’m sure that
you could share a thought or two
too!
Artful Arthritic Hands
by Carol Zeman
After retiring from a desk job two
years ago and plunging full time
into fiber arts, arthritis in my
hands and fingers reared its ugly
head. Painful inflamed and
swollen knuckles, cramping and
numbness nearly stopped my
endeavors altogether.
I’ve tried prescription drugs, pain
killers and several alternative
remedies including my father’s
favorite: raisins soaked in vodka!
Some had too many side effects,
some were hard on my digestion
and some just didn’t work. Some
worked for a while and then
seemed to be totally ineffective.
But I have come up with some
theories, along with some natural
remedies that have enabled me
to work my hands to my hearts
content. First, is the repetitive
rule: stop every hour and do
something else for just a bit,
(twiddle thumbs, flex fingers,
warm them by rubbing them
vigorously like you do when you
come in from the cold, use an
electric massager a couple of
times a day to increase the blood
flow, squeeze a rubber ball to
increase strength and very
importantly, give them some rest
every once in a while.
As I have always been wary of
prescription drugs and pain killers
because of side effects and the
masking of symptoms, I have
turned to the health food industry
for remedies. Second rule:
Whatever you use, the body
builds resistance, so change what
you’re taking periodically.
There are several products and
foods that I have success with
(Except for the last five items, try
these one at a time for a month or
two, then switch to a different one
etc...). Found online or at some
health food stores. Most are antiinflammatories,
therefore
reducing pain and stiffness.
Solaray Glucosamine Chondroitin
Hyaluronic Acid: Hyaluronic Acid
is a jelly-like substance that
functions as a lubricant and as a
cushion and is most prevalent in
the joints, eyes and skin. The
Hyaluronic Acid used in this
formula comes from microbial
fermentation and Vitamin C has
been added to help enhance its
absorption. Both Glucosamine
and Chondroitin have been studied worldwide for their roles
in joint health. Glucosamine
assists the body’s tissues by
producing proteoglycans.
Proteoglycans are an integral part
of collagen and are important in
maintaining healthy joint flexibility
and resilience. Chondroitin
Sulfate is also an important
building block for cartilage.
Isotonix® OPC-3: A powerful
combination of plant-derived
bioflavonoids, known as
oligomeric proanthocyanidins, or
OPC’s. Made from a unique
combination of grape seed, pine
bark and red wine extracts (in
addition to bilberry and citrus
extracts), these OPC’s are supereffective
free radical neutralizers.*
Not limited to just being strong
antioxidants, OPCs play a crucial
role in supporting your body’s
circulatory system, vision health,
complexion and cholesterol
levels. OPC-3 is a natural, great
tasting powder supplement that
you mix with water.
Curamin: Curamin is a unique
and proprietary formula that
enhances the body’s natural
defense mechanism for the relief
of pain due to over use.
Proprietary EP612 Complex:
DLPA (dl-Phenylalanine),
Boswellia (Boswellia serrata)
Extract (BosPure) standardized to
contain >70% boswellic acid with
AKBA >15%, curcumin (curcuma
longa) Extract (BCM-95)
standardized for curcuminoid
complex (curcumin,
demethoxycurcumin and
disdemethoxycurcumin),
Nattokinase.
NOW Shark Cartilage:
* Derived from 100% pure,
freeze dried backbone of sharks
* High protein; thoroughly
tested for important shark
components
* Contains no solvents,
bleaches, or chemical processing
agents
* Rich in Mucopolysaccharides;
natural source of Chondroitin
Stem-Enhance: A blend of two
compounds extracted from the
aquatic botanical Aphanizomenon
flos-aquae (AFA). One extract,
which contains an L-selectin
ligand and the other extract, a
polysaccharide-rich fraction
named Migratose. Stem Enhance
is a breakthrough, natural
botanical extract that supports
wellness by helping your body
maintain healthy stem cell
physiology. It is the very first
product on the market from the
latest phytoceutical product
category called stem cell
enhancers.
When all else fails or you’re on
vacation, Alleve 12-hour: Contains Naproxen sodium, an
effective long-acting analgesic
that reduces headache,
bodyache, nonspecific aches and
pains, and fever. Non-drowsy.
Lypo-Spheric Vitamin C: Works on cellular level and is
rapidly absorbed in the small
intestine to move intact, directly to
the cells that need it.
Releases the powerful, nondegraded
Vitamin C for use
throughout the body as the
liposomal material is assimilated
by the phospholipid-craving cells
that are under attack.
The Vitamin C and the
encapsulating phopholipids are
nothing but pure, healthpromoting,
100% nutrition. In
addition, “essential phospholipid”
liposomes protect the Vitamin C
from several factors that can
degrade and even render Vitamin
C ineffective.
Garlic Capsules: Odorless. While
its experienced overwhelming
popularity in kitchens throughout
the world, garlic bulb extracts
may also help calm stomachs,
improve circulation and promote
healthy cardiovascular function.
Garlic (allium sativum) works by
converting allin compounds into
allicin powerful phytonutrients
with strong antioxidant properties
that neutralize free radicals within
cells.
Cayenne Pepper: The health
benefits of cayenne pepper
include weight loss, digestion,
immunity, heart diseases,
dyspepsia, inflammation,
headache, throat congestion, and
blood circulation.
1/4 cup Apple Cider Vinegar/One
tsp honey/Squeeze of lemon
tonic: 1/2 hour before meal also
helps your digestion.
Calcium: For muscle cramping.
Tips: Reduce your sugar amounts
and drink a LOT of water.
With some preventive measures
and a little experimentation with
what works for you, arthritis need
not stop you.
(If you think this all sounds a little
crazy, I sit on an exercise ball
instead of a chair for my back and
neck!)
* PLEASE NOTE: Reference to
any specific commercial
product, process, or service by
trade name, trademark,
manufacturer, or otherwise,
does not necessarily constitute
or imply its endorsement,
recommendation, or favoring by
MOFA.
Dinner with Kaffe Fassett
by Toni Disano
Last month I had the good fortune
to be invited to dinner with quilt
designers and authors, Kaffe
Fassett and Liza Luci. Joanne
Raab and Liza have been best
friends forever and Joanne is
credited with selling Liza her very
first rotary cutter. Kaffe and Liza
were in town to sign their new
book, "Simple Shapes,
Spectacular Quilts" at the Quilted
Fox, and Joanne graciously
included me in her dinner date.
The conversation was lively, with
Joanne and Liza catching up on
family and friends. Kaffe claimed
the food at Brio was the best
meal he could recall. Both Liza
Luci and Kaffe Fassett were down
to earth and gregarious. I'm sorry
I was unable to follow them to
their classes at the AQS Show in
Paducah. They've been crisscrossing
the country teaching and signing books. Be on the lookout
for stripes in their next fabric
collection.
Missouri Basketweavers Guild
Missouri Basketweavers Guild will be holding their 19th Annual convention from
5-8 August 2010. The convention, "Weaving MO
Madness" will be held at the Holiday Inn Viking
Center at Lindbergh and Watson Road in St.
Louis. There is still time to register for the
convention and get some great classes from a
variety of teachers from across the US including
Peggy Wilcox, Mary Stokes-Smith, Lisa Adkins,
Jeanne Dudley, Susan Coyle, Candace Katz,
and Debbie Hurd and others. We are in need of
donations for our raffle, which provides money
for the next year's convention. If you would like
to donate any unique, wonderful, items please
contact mbgdonations@mbg.unionpoint.net for
information on where to send your donation. We
greatly appreciate all donations to our
convention raffle and thank you in advance for
your support of the basket weaving tradition. For
more information on the convention go to our website: www.unionpoint.net/mbg/2010convention.html You do need to be a
member of the guild in order to attend but you
can include that with your registration fee.
We hope to see some of you at our "Weaving
MO Madness" and appreciate any donations for
our raffle.
Missouri Fiber Artists Board Meeting Report
May 15, 2010
Capital Arts Gallery, Jefferson City, MO
Items discussed and actions taken:
• Reflected on the success of the past two years
with Judy Cobillas as President and of the Fall
Conference with Bonnie Black as coordinator.
Their involvement in MoFA are a part of the
rich history of the organization.
• Summary of treasurer's report: Checking
Account $7, 395.70 (which includes $437.00
for scholarships) and CD amount $5,844.78
• An application for scholarship monies will be
developed
• A continuation of the contract with the website
designer was approved.
• Budgetary issues and funding needs for
officers and committees were discussed.
• Because items in the video library have not
been requested for some time the items will be
sold at the spring retreat.
• Exhibitions are important in showcasing MoFA
work and in increasing public awareness of
MoFA. We need an exhibitions chair and
committee members. A couple of individuals
are interested in working on the committee but
others are needed, particularly a committee
chair.
• Board members will be reviewing MoFA's
constitution and job descriptions with the goal
of presenting proposed changes to the
membership for approval.
• Innovations in Textiles 9, a biennial fiber
celebration held in St. Louis and adjoining
areas in Missouri and Illinois, was discussed.
• Possible venues for exhibitions were proposed.
• Spring 2011 retreat and a member exhibition
are being planned.
• A decision was made to purchase CDs of
Fiber: TwentyTen for MoFA records and for
inclusion in exhibition proposals.
• Board meetings are open to the members.
Please feel free to come to the next board
meeting.
Weavers’ Guild of St. Louis Holds Awards Tea
by Karen Kelley Schultz
On April 18, 2010, the first Awards Tea was held
to honor four senior members of the guild and
our retiring attorney. Over 45 members and
guests were in attendance at Sunset 44
restaurant. Many members took the “tea” to
heart and arrived wearing hats – even a pair of
gloves was seen. The honorees were: Connie
Hilgert, Helen Wenzel, Lucy Primm, Betty Epstein, and special guest John Blumenfeld.
The combined number of years achieved by
these honorees total well over 200!
As the guests arrived it was obvious that
everyone was pleased and surprised to see such
an elegant setting. Tables were adorned with
white linens and place settings and for a splash
of color the centerpieces were arranged over
hand-woven towels. A display table was set up
so each honored weaver could show a sampling
of their work. Several newspaper articles
referencing some of the honorees were found in
the guild archives and were on display. There
was also a special presentation pulled from the
guild historical slides and continuously shown on
the large flat screen televisions. One member
commented that the event was the highlight of
her guild membership.
Each honoree was interviewed prior to the tea.
The interviewers spoke about the personal and
weaving lives of these ladies and gentleman.
Following are highlights of these interviews.
Connie Hilgert joined the guild in 1934, when the
guild was just eight years old. Connie’s favorite
piece is her 1840’s weaving cottage dollhouse,
with its tiny furniture and accessories, and its
miniature textiles – even the selvedges on the
tiny towels are perfectly woven. Connie has also
mastered several Norwegian techniques of
which she is rightfully proud. One of her tea
towels is presently in an exhibit at the DAR
headquarters n Washington, D.C. and another of
her traditional weavings won first place there a
few years ago.
Helen Wenzel has been a member since 1952.
Prior to joining the guild her interest had been
piqued when she read an article on weaving.
She sought out a teacher (Libbie Crawford) and
took 42 hours of weaving lessons at the
Crawford home. Helen said she has tried almost
everything in the weaving genre. Helen brought
along an exquisite tapestry she had woven. Her
loom for this project was a small piece of
cardboard. After weaving many, many individual
rectangles, Helen sewed the pieces together to
create a beautiful wall hanging.
After a thorough search of our archives we were
unable to determine the exact date Lucy Primm
and Betty Epstein joined. When Betty was
asked if she could tell us the date, she replied “do you know when you joined?” – and with a
chuckle I think most of us would have to say no. Having said this, Lucy and Betty have both been
members since the late 1940’s-early 1950’s.
Lucy recently gave away her 72” 8H Cranbrook
loom (yes, gave away – she said to sell it would
be like selling a child) to make way for a new 42”
8H Cranbrook that will fit into her space better.
Lucy tends to use the whole width of her loom
weaving blankets (one of her specialties) for
friends and relatives. Her method of weaving is
a bit unusual – she walks the loom. In other
words, she does not sit to weave, and before
receiving the new loom she never even had a
bench.
Betty joined the guild over 40 years ago when
each prospective member was required to have
a woven piece juried. Betty is especially proud
of a garment that won first place at a Midwest
Weavers Conference fashion show. She had
numerous pieces accepted in past shows, but
she was determined to win, which she did.
Betty’s main focus in weaving has been yardage
and for many years her daughter-in-law, ‘Betty’,
was her seamstress.
The Weavers’ Guild of St. Louis was founded in
1926. Lillian Glaser, one of five founding
members, was an instructor of weaving and batik
at Washington University. In her honor John
Blumenfeld was presented with the first “Lillian
Glaser Memorial Award”. Mr. Blumenfeld has
served the guild for over 34 years as our
Registered Agent and lawyer extraordinaire.
When asked about his involvement he gave two
reasons: it’s a worthy effort, and it’s helped keep
a happy home – John’s wife, Laura, is a long
time guild member. In appreciation of his service
a donation was made to the John and Laura
Blumenfeld Fund for Balance Disorders at
Washington University.
Judy Murashige, a former member who now
lives in Hawaii, sent the honorees beautiful
Hawaiian leis. The honored weavers also
received a small blue and gold enamel pin with
hand-woven inkle band tabs attached. The guild
bestowed upon each honoree a Lifetime
Membership – including Mr. Blumenfeld!
All in all our first tea was a success! We could
say “a good time was had by all” but it was much
more than that. There was a feeling of gratitude
to the women for sustaining such a tradition, and
to John for bailing us out of some tight situations
over the years. We think it’s safe to say that the
guild would not be what it is or where it is, if not
for the service each of these honorees provided. |
| FIBER NEWS FROM AROUND THE STATE |
We want to hear from our members in the SC,GKC, the NW and the NE regions! Send us your news!
CENTRAL REGION
True Blue Fiber Friends
News. Give us a call a 573-443-8233 to sign up
or for questions. See
MoFA Classes and
workshop section in this
newsletter for True Blue
March events! Check our website at
www.TrueBlueFiberFriends.com for class and
event schedules.
Robin and John Quint, Indigo Moon People
have a display space with our Indigo Dyed Tshirts,
scarves, onesies, and Batik Bandanas at a
new Gallery called Zuzak Wonder Store, a
showplace for artists of the region, at 311-313
Main Street in Boonville, MO. It is in a
historical building that was remodeled in the
early 1900's and known as Zuzak Wonder Store.
The store proprietor of this era is credited for
beginning the Friday after Thanksgiving
Christmas Shopping tradition. He brought
Santa Claus up the Missouri River by ferry and
then had a parade up Main Street to the Zuzak
Wonder Store, where throngs of parents and
children gathered. It is open Thursday-Saturday
10:00 am to 6:00 pm
and Sunday 12:00 to 5:00 pm. It's fun to
support this wonderful new Boonslick Gallery
of Art and Curiosities! A monthly event will
promote a featured artist and provide publicity.
Studio spaces are available. If interested in a
display space or studio space contact Meredith
Ludwig at meredie_l@yahoo.com. Several
other MoFA artists, including Leandra
Spangler, and Connie Zullo have their work
displayed there too.
Edwina Prinster is teaching rug hooking to the
girls at MO. Girls Town in Fulton, MO. The
girls range in age from 14 to 18 years of age.
One of her most favorite experiences in life is to
share my art and my heart which makes for a
great day each week. Edwina’s Hooking Guild
in St. Louis has donated $100.00 for her to buy
wool and hooks and hoops. The girls make
purses, hooking the front of the purse, and then
she makes the backing and lining for them.
Danielle Moser was granted an internship (and
stipend!) with Jo Stealey through MU's
Undergraduate Research Mentorship Program.
Danielle will be joining Jo at her home out in
the country in addition to working on her own
body of work to be presented to the Program
Committee at the end of the summer.
After attending the MOFA Conference in St.
Charles, Jo Stealey’s students at MU (aka Team
Fibers) have just finished their spring semester's
final critique. It was a huge celebration full of
food, fiber friends, and great semester artworks.
They will send photos from the critique for the
MoFA website! Keep your eyes peeled
SOUTHWEST REGION
Peggy Wyman was
disappointed not to be
able to attend the MoFA
conference in April, but
her left wrist is cast-free
and, with the help of
some occupational therapy, the range of motion
and strength are fast returning – and she is
back to doing art! She currently has work at the
following: 42nd Visual Arts Exhibition in
Denton, TX. Second Regional Exhibition,
Forsyth Center Gallery, College State, TX;
Fiber: 2010, Foundry Art Center, St. Charles,
MO; Dimensions 2010, AAWS Gallery,
Winston-Salem, NC; “Collective Thread” UCM
Gallery of Art & Design, Warrensburg, MO; 20th Mid-Atlantic Exhibition, d'Art Center,
Norfolk, VA; 2010 Juried Exhibition, VMRC.
Harrisonburg, VA; National Juried Multimedia
Exhibition, Rocky Mount Arts Center, Rocky
Mount, NC; National Juried Exhibition,
LCAA, Lancaster, PA; Westmoreland
Nationals, Latrobe, PA.
On May 21, 2010, Iwona Ryspesc-Kostovic participated in a long anticipated and very
pleasant art event – an opening of a group show
in Gallery 1, Krakow, Poland, where she
and her classmates from the National School of
Fine Arts (Krakow, Poland) celebrated 30th
anniversary of graduation and showcased Their
artwork. Iwona writes that It was a great
comfort too find that although times changed
and life experiences have affected each
of them the spirit that connected them in the
past is still the same.
SOUTHEAST REGION
Greetings, MoFA, from
the South East part of
Missouri. I've been
asked to be the regional
rep for this area, and I'm
happy to serve in that
capacity. I encourage anyone in this area to
contact me at rosemary@semo.net for any
events or news. I thought I'd go over my
network of activities and connections regarding
fiber art in this area. If I've missed someone, or
an activity or event, please let me know, and I'll
correct it next time.
I'm pleased to have met Jill Choate, basket
maker from Alaska, now in this area. She is a
dynamo in teaching all over the country, aka as
the "lower 48" by real Alaskans. We've had
several fun get togethers as we talk about art
and what we are doing with teaching, showing
and current projects. It is good to have that inperson
connection. The Margaret Harwell Art
Museum is in Poplar Bluff, near my home
town of Doniphan. The museum director is
friendly to fiber artists, and occasionally
features a month long exhibit of fiber art of
some kind. She recently had Sharon Kilfoyle
and Lori Scott with their wearables. They had
a great turn-out with a lot of sales. Also in
Poplar Bluff is Artfully Framed, a frame shop
that is also a unique gift shop and now features
original art. The owner has given me the
opportunity to be one of 7 featured regional
artists. Jill Choate is another featured artist,
along with two painters, a fine art
photographer, a ceramic artist and a jeweler.
We have a new and wonderful gem stone/bead
shop in Poplar Bluff. If you are interested in
contacting them or taking a class, contact Pat
Judd at pat@8thwondergems.com. She's a
great teacher, and her prices are very
reasonable. Susan Leslie Lumsden, another
dynamo of an art quilter, lives only 50 miles
west of me, but, the Ozark Mountains are
between us. It's a "scenic drive", challenging
even in good weather, but we are able to get
together once or twice a year. Since I live near
the borders of several states, my activities
expand across state lines. I am a member of the
Paducah Fiber Artists, in Kentucky. We meet
once a month, have a social hour, then show
and tell. Some fabulous fiber artists are in that
group. Paducah has an artist relocation
program that has gotten national attention. The
town has attracted some very capable artists of
many mediums, resulting in a wonderful
energy in that group.
Recently, I was in a gallery in Jonesboro,
Arkansas, 75 miles from my home. There are more painters there than mixed media artists, but
fiber art may be gaining a toe hold there.
I'm also over on the east side of MO in Cape
Girardeau, checking out their art scene on Main Street
fairly often.
I do get to St. Louis several times a year, too. I was
one of the MoFA members to attend the workshop
at the Artist's Guild. Sandy Webster presided over a
challenging and fun workshop.
Last but not least, I have plans to get together with
Leandra Spangler at her studio in June. A felting
friend from MA is coming to St. Louis, and we are
planning a 4 day combination of touring and
workshopping. It should be a fun few days. Please
do contact me if you are in the area, or have
information or questions about this southeast part
of Missouri.
Rosemary Claus-Gray
www.rosemaryclaus-gray.com
GREATER ST. LOUIS REGION
Anne Cove has been very
busy resulting in having her
work in four Missouri shows
at present time. She has two
pieces of her joint work with
Ruth Kolker in the “Collective Threads” show; at
the University of Central Missouri (Anne takes
Ruth’s prints and uses them as a basis of her
structures). She also has two pieces in the annual
mail-in art show at the Margaret Harwell Gallery in
Polar Bluff. As well as showing three of her large “Seasons” pieces at the Fiber Show at Capital Arts
Gallery in Jefferson City. This is an excellent small
gallery that showed off the fiber work to its best
advantage. Finally she has a dress in the “Seeing
Red” show at Art St. Louis. This dress is made
from Target plastic carrier bags and was modeled at
the fashion show at the Foundry Arts Centre in St.
Charles, as part of the Missouri Fiber Artists
conference.
Meanwhile Anne has been in England for past
two weeks during which time, she had five pieces
of work on exhibit at the Leeds Art Fair, three of
which, sold. Now she is back in St. Louis for a
rest.
Katherine Ehlmann modeled her cotton jersey
shibori coat at the MoFA Conference
brunch at the Foundry Art Center on April 18th.
She won an award for Most Marketable Design in
Show.
Luise Hoffman and Joyce Pion have six "5X5"s
at the Northern Arts Council Gallery, 27 South
Florissant, Ferguson, MO 63135. The exhibit was
open to all NAC members. Any medium was
accepted, provided it was a 5"x5" square. Luise
used shibori and silk screened fabrics. Joyce
used appliqué and found objects. The reception
was May 8. The show will continue until June 6.
Because this gallery is entirely run by volunteers,
it is open on Saturday mornings only.
www.northernartscouncil.org
Maturity and Its Muse opening at the Sheldon
October1, 2010 through February 12, 2010. It is an
invitational composed of St. Louis artists 70 and
over. Marjorie Hoetzel and Barbara Simon are
in the list of 40 artists including 4 other fiber
artists. Barbara also has a piece in the Exposure section
of Surface Design Magazine – Spring Issue.
www.maturityanditsmuse.org
Shirley Nachtrieb taught Art Workshops in St.
Peters, MO and Springfield, IL in April. Ongoing
private lessons may be booked in her home by
contacting her at 636-947-1936. She is also has a
New Art Exhibit at the Bridge Gallery, Parkside
Retirement Community, St. Charles through July
2010. More new art work and dolls at Framations
Art Gallery, 218 N. Main, St. Charles and Miss
Aimee B’s Tearoom, First Capital Drive, St.
Charles. She also participated in the Sandy
Webster workshop at the St. Louis Artists’ Guild
in early April. Work from this experience may be seen at stlart.wordpress.com. Shirley also
wrote an article for the Missouri Watercolor
Society www.mowsart.com and planted a truck
load of flowers in her yard to enjoy life to its
fullest!
Pat Owoc will be the featured artist in Gallery
ADMIN, St. Louis Community College-Florissant
Valley this summer. The exhibition, Rags and
Satin, will be on display June 1-September 10,
with a gallery talk and reception on Wednesday,
September 1, 1:30 PM. Gallery ADMIN is located
on the 2nd floor, Administration building, SLCCFV,
3400 Pershall Road, St. Louis, MO 63135.
For more information, call 314-513-4861.
Jennifer Weigel recently participated in the 8th
Annual Augusta Plein Air Event, taking Third
Place in Mixed Media. She also participated in the
following shows: En Plein Air, solo show of plein
air paintings, Provisions Gourmet Market, St.
Louis, MO; Urbania, Luke & Eloy Gallery,
Pittsburgh, PA; Fiber: TwentyTen, Missouri Fiber
Artists, Foundry Arts Centre, St. Charles, MO;
Fibers Exhibition, Capital Arts Gallery, Jefferson
City, MO; Art for the Earth, The Gardens at
Southern Illinois University, Edwardsville, IL; and
Seeing Red, Art Saint Louis, 555 Washington, Ste.
150, St. Louis, MO.
Barb Zappulla is participating in DesignExpo, a
show and sale of artwork at Niche Home
Furnishings, 300 N. Broadway, St. Louis, MO on June 24,
2010 at 5:30pm. DesignExpo involves Interior
Design textile and carpeting representatives to
showcase Interior Designers other 'artistic' talents.
Anne Cove won the Peoples' Choice award at
The Captial Arts Fiber Exhibition in Jefferson City,
MO.
Congratulations to Fiber::2010 award winners
Debo Crites, Patrick Nolan, and Luanne Rimel
who have been given a group show at the
Foundry Art Centre in 2012.
Welcome to J Penney Burton who is the new
MoFA Student Representative.
OUT OF STATE
Judy Dominic has a two-person exhibit Rock Paper
Scissors at the Oxford
Community Art Center,
Oxford, OH from March
12-April 3, 2010. If you
are interested in seeing info/pics and a short
video of her recent installation at XU's Student
Center, check out the January posts on her:
website: www.judydominic.com
photos: www.flickr.com/photos/judyd/
blog: bogolan.wordpress.com/
Robin R. Wingo, Mankato MN, completed a three-day shibori workshop at the St. Peter MN
Arts Center with local artist Patricia Freiert
( http://patriciafreiert.com/welcome.html). The
workshop explored shaped-resist dyeing methods
using traditional shibori kumo and miura hooks
and a forked bamboo stand. Other shaping
included Chinese butterflies and fireflies. This
was a completely new experience and one that
created many challenges in the three days! If you
have attempted Chinese butterflies, you will be
interested to know that ALL Robin’s butterflies
had antennae (two and in the correct position).
GREATER KANSAS CITY
Valerie Doran Bashaw is
hanging a show of her
newest work at Shawnee
Mission Medical Center in
Overland Park, Kansas, in
mid June. This is in the
new wing of the hospital, near a garden area. The
work will be up for six months. She is including
8 new larger pieces, created from strips of shibori
and resist-dyed silk, pieced together and stretched
over a frame as well as two pieces made of
Japanese colored paste resist-dyed silk too, very
vivid and bright.
The work is about wind and water, about weather
and geological strata, the intent of the work is to
encourage quiet meditation and healing. |
| MoFA SCHOLARSHIP |
Remember the MoFA scholarship is one of the benefits of your MoFA
membership! It provides support for you for further textile study!
Scholarships are awarded as money is available to worthy applicants for
such things as workshops, attendance at a conference or retreat (may be
MoFA or some other), etc. Please ask for an
application scholarship@missourifiberartists.com
Welcome to Jennifer Wax, long time member of MoFA, who has joined me
on the scholarship committee.
Barbara Overby, Scholarship Chair
scholarship@missourifiberartists.com |
| REMINDER |
Got news? Won an award? Been in a
show? Have a question? Need a
resource?
Send us your news, resources you’d
like to share, or tips to make our
fiber life easier.
We want to know what is going on.
Remember the newsletter is an
important way to connect with our
fiber community!
Our next newsletter will be out late August or early September.
Send all information to
carlenefullerton@gmail.com.
Include MoFA in your email heading.
NEW NEWS Deadline is now
August 15, 2010!! |
|